The cubicle, the familiar modular workstation used in offices everywhere, was invented in 1967. It was the brainchild of designer Robert Propst, head of research for Herman Miller, Inc., the American manufacturer of office furniture.
Propst was assigned to identify problems in the modern office environment and find sensible solutions. The project was a good-faith, objective, scientific undertaking.
Back in those pre-cubicle days, Propst said, “Today’s office is a wasteland. It saps vitality, blocks talent, frustrates accomplishment. It is a daily scene of unfulfilled intentions and failed effort.”
He and his team looked for ways to reduce material costs and use office space more efficiently, while at the same time, boosting worker productivity. That would be done by providing a degree of privacy, limiting distractions, and making the workplace more comfortable and more inviting.
The result of Propst’s efforts was the “Action Office,” which featured inexpensive modular components that could be changed easily.
The design facilitated interaction with co-workers, but allowed privacy when appropriate. The placement of the components encouraged workers to move around instead of remaining sedentary.
Propst was convinced his concept would transform the business world and lead to major increases in employee productivity.
Ironically, it succeeded at the former, but at the expense of the latter.
Capitalism, true to its mercenary nature, simply used the “cubicle” concept to pack as many workers as possible into the available space.
As the reality of the situation dawned, Propst was appalled and outraged. “The cubiclizing of people in modern corporations is monolithic insanity,” he wrote.
But the corporate world does not care what idealistic do-gooders think. Cubes and cube farms quickly became ubiquitous in the modern office — a symbol of enforced uniformity and the pitiful, stultifying life of the lowly office drone.
Today, Herman Miller still manufactures the Action Office and still promotes it as grandly envisioned by Robert Propst. But the effort is hollow and forlorn.
My own introduction to the scourge of cubicles in the workplace came in the late 1980s, when I was working as a copywriter in the advertising department of a large manufacturing company near Atlanta.
The company was Lithonia Lighting, which built residential, commercial, and industrial light fixtures. The company employed a few thousand people in several states. Business was excellent.
By that time, I had been with Lithonia Lighting for almost 10 years. I had joined them as their first-ever professional writer, and they liked the results — so much so that I was ordered to hire and train a few more of my kind.
The job of us copywriters was to write the sales material that went out to Lithonia’s customers and sales reps around the country — brochures, catalogs, product data sheets, etc.
Most importantly, we were expected to proofread everything with ferocious intensity to be sure it was accurate.
Before we wordsmiths came along, the company was taking constant heat from sales reps and customers about inaccuracies in the literature. Because of pointless typographical errors, the company literature couldn’t be trusted to provide accurate product specs — e.g., the precise weight and dimensions of the products.
When you’re dealing with an order of ceiling lights to fill a skyscraper, numbers count.
Because of earlier inaccuracies, the higher-ups had lost several painful lawsuits. They had become very unforgiving of typos.
I mention this to establish that proofreading was an important part of our work as copywriters. Our duties required close attention and concentration, and most of the time, we worked quietly and alone. When a copywriter’s office door was closed, you knew to come back later.
That was the situation when plans were announced to renovate/upgrade/modernize the Advertising Department offices, for the first time in several decades.
As a manager, I would have a private office. But my copywriters and the rest of the underlings in the department faced wholesale cubicalization.
When I saw the schematic for the first time, my anguish was almost palpable. Surely — SURELY — I thought, the company wouldn’t needlessly hamper the ability of the copywriters to do critical work for the sake of some trendy concept.
Of course they would.
With no real hope of getting anywhere, I decided to lodge a formal objection to the plan.
Being mentally hard-wired as a liberal, I resolved to use logic. I would reason with them, appeal to them on a factual level, help them see the light.
Being mentally hard-wired as conservatives, the bosses had no logic gene to appeal to. Seeing the light was not in their nature, or their interest.
Well, that statement is not entirely accurate. Although I lost the war over the cubicalization of my staff, I won a minor victory in the initial battle.
When I approached my immediate boss to protest, I made the point that the proposed cubicles actually would cost more than standard offices with walls.
I knew that was true because I had talked to the construction guys. They said the cubes would be built by cutting off the plasterboard walls at a height of six feet and topping them with metal caps. In the end, that was more labor-intensive and more expensive than installing standard wall panels from floor to ceiling.
My second point, of course, was that the loss of privacy would be a detriment to doing our jobs.
I predicted flippantly that if the copywriters were allowed to have real offices, the ROI in productivity would be about two weeks.
My boss was sympathetic, but understandably impotent in the matter. Only the higher-ups could make exceptions to issues of such gravity.
A week or two later, time enough for the issue to float up to the decision-makers and come back down, I had an answer.
To my amazement, the copywriters would be allowed to have actual offices. With floor-to-ceiling walls.
But the doorways, they decreed, would be doorless.
Epilogue…
About five years later, in another wave of modernization, the copywriters were swept out of their walled-but-doorless offices and into a sea of standard cubicles, joining the rest of the rabble.
I remember it well. Lithonia was one of the earliest adopters of the “open door policy”.
Indeed so. And it’s a little-known fact that the Dilbert comic strip is based on life at Lithonia Lighting.